mouzuokeji 
上门回收瓷器碗古由不同动上门回收瓷器碗古物制成的圣物。凤凰是百鸟之王，四灵之一。作为鸟，雄鸟叫凤凰，雌鸟叫凤凰。
早在新石器时代的陶器上，就有简单的鸟纹图像。有专家认为这种鸟纹是凤凰上门回收瓷器碗古的雏形，鸟纹形象一直延续到六朝。比如西周到战国时期，原始青瓷上就有鸟的形象，镇江博物馆收藏了一个春秋时期原始青瓷鸟带的罐子，高24厘米，口径13.5厘米，底径16.5厘米。盖面呈弧形，盖扣为鸟的形象，唇斜方，小口，腹弧，平底，肩有水波纹，腹有米筛纹，灰白色胎，釉不全，黄釉。
从汉代到六朝，鸟的形象有朱雀、鸾鸟、红鸟、彭等神鸟，都是凤鸟的变异和异化，是凤纹的多彩表现。比如镇江博物馆里有三国志吴越窑青釉飞禽。瓷罐高47.5厘米，直径9.9厘米，腹径28.5厘米，底径15.7厘米。整体造型上门回收瓷器碗古是三层寺庙式的亭子叠在鼓肚的锅上，双亭。盆顶聚集着鸟和四个小盆，亭子四周还有跳舞的杂技俑和动物。此时的鸟纹被视为能引导人类灵魂上天的神。
In the Tang Dynasty, phoenix patterns began to appear on porcelain. At this time, phoenix patterns were colorful and gorgeous, and some shapes were more bird-like. For example, in 1992, Changsha kiln green glazed brown Cai Feng bird-patterned three-legged porcelain basin unearthed from Zhongshan Road widening project site in Zhenjiang City was 10.8 cm high and 27.3 cm in diameter. Round lip, sunflower m上门回收瓷器碗古outh, folded edge, arc belly, bottom, three animal feet; The mouth is painted with brown and green grass leaves, and the inner bottom is painted with brown and green lotus Feng Niaowen. A long-tailed phoenix stands on the lotus.
到了宋代，凤凰的形象越来越明显。镇江市谢桥街道开发遗上门回收瓷器碗古址出土的红绿双凤纹瓷板，高1.8厘米，直径20.4厘米，底径16.5厘米。开口，腹部较浅，底部平坦，略凹。口沿为黄色，鞋垫边缘用红绿双线勾勒，底部绘有对向的双凤牡丹图案。凤凰形翅膀宽大，层次丰富，线条细腻，尾羽长而飘逸。
元代瓷器上的凤纹装饰奔放上门回收瓷器碗古，与宋文丰形成鲜明对比。明代瓷器上的凤纹趋于规范化。镇江